Draw it Again Challenge

 

The “Draw it Again Challenge” is a fun and interesting way to see where you are with your art. You may be thinking that this challenge sounds familiar, it should! Not only has it been fairly popular over the internet it is a tool I use often like in my recent post: 7 Ways to Take your Art to the Next Level Right Now.

What is the Challenge, exactly? It is actually quite simple. You take a piece of work you’ve done. I suggest you use something at least a year old, you can go back farther if you like. Then you take the premise of that piece and you redo it. You do it again but as you would do it now. You can be as close to the original as you like. I often stick fairly close to the original unless my style has changed so much that, I just wouldn’t do the artwork the same at all anymore. You can do this challenge as often as you like but I do like to do it at least one a year.

Why would you redo old work? Isn’t that a waste of time? Nope! Going back to a piece can do quite a few things for you:

  1. Show where you’ve improved
  2. Show what you still need to work on
  3. Show you how your style has progressed
  4. Bring in new inspiration
  5. Give you a more polished and finished piece

I recently redid an old Inktober sketch of mine. I actually really enjoyed this particular piece and wouldn’t have changed much about it composition or content wise now. My style has changed a bit in this time though.

The process:

Usually I would start off with a sketch, try different placements, ideas, etc. I didn’t want to go that into detail with this particular piece. I was happy with it the way it was and was more interested in seeing my process in developing it; particularly the colours.

 


The original is mostly black ink on white paper with a bit of red for the balloon. My work these days is a lot more colourful.

 

I started off by drawing this lovely little robot in pencil in my sketch book.

Once I was happy with my rough outline I decided where I wanted to go with colour. I knew I wanted to make it more colourful than I had in the past. I toyed with idea of making the Robot himself a fully coloured and detailed component in the picture. Ultimately I decided that I liked the contrast of the Robot’s bold black outline and wanted to keep that against a lighter but still colourful background. He is the star of the show.

Because the Robot and his balloon are the focus of the image I wanted them to jump out against the background as much as possible. I decided, again, to stick with the darker, bolder red of the balloon in order to accomplish this.

 

I didn’t outline anything other than the Robot and balloon in black, unlike in the original ( everything was in black).

While I do enjoy this finished piece I did learn a lot from it. I do think it is an effective example of where my style and work has been moving to for some time now. I do not think it is a completely finished or effective piece on its own though. I do still love this little guy, I like that he is now surrounded by colour, I am mostly happy with it compositionally. Looking at it now and had I spent more time on it I would move the Robot down lower, he is too close to the edge of the paper and would do the composition more justice to have him overlapping the buildings instead of just kissing the tops of them. This leaves an awkward balance and flow in the area around his legs. I do think it is well-balanced and overall an acceptable piece but I do see a lot of work that needs to be done. The colours convey the dreamy and fun feeling I wanted but they aren’t as bright as I think I should have gone. Looking at this I’ve noticed that this has been happening in a lot of my work lately. I need to be more conscious of being too subtle with my colour, it isn’t my intention but it has been happening. Much of my work would be more effective being more saturated with colour. There isn’t much point in using these bright and vibrant colours if no one can see them. Playing it safe isn’t helping me here. This is something I have noted to work on for myself; perhaps a different medium would compliment this better.

 

 

Check out my YouTube channel on Friday (videos go up at 6 pm EST) to watch the creation of this lovely little Robot!

 

Have you done the draw it again challenge? Do you Plan on it? Or what do you think I could do differently with this picture? Let me know in the comments below.

 

Until next time, my Creative friends!

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( mm / dd )


Open post

7 Ways to Take your Art to the Next Level Right Now

 

Looking for ways to improve your work and take your art game to the next level? It sounds like a long daunting task and while practice (obviously) makes perfect that doesn’t mean there aren’t ways you can immediately improve.

I’m not saying you are going to become Monet or Picasso over night, that simply isn’t possible. What I can help you do is take small steps to acquire more knowledge, gain more skill, and put it all into practice.

  1. Learn a new technique – or at least try something new

This sounds like a big task, but it can be as complicated or simple as you like. Learning a new way to do something or trying out a new material is a fantastic way to practice your skills, bring in more creativity, and allowing your skill set to grow. Just as we grow and mature our art takes that journey with us. Your style, tastes, and abilities will change. Help yourself grow by exploring something new.

For example, if you normally don’t shade your work you could take a few minutes to do some shading exercises. Take a ball (or whatever object you like, balls are just one of the easiest and clearest ways to practice this), place a light source (a table lamp) somewhere that the light is shining on the ball and draw what you see. You can move the light source around and do a study. You can use other objects, multiple objects, multiple light sources, etc.

You could try out a new way of shading, say cross hatching or stippling, again this can be something that takes more effort to learn (like drawing realistically or learning how to print make) or it can be something simpler like learning a new way to shade.

It can even be something as simple as trying out a new material. Say you normally draw in pencil, try some water colours or markers instead.  You’ll be surprised how much you can learn, pick up, and grow by doing this even if just every now and then.

 

Drawing from a model
  1. Draw from life

One thing you will hear from pretty much every art teacher on the planet is to draw from life. Drawing from life (instead of your imagination or even from pictures) allows you to truly see what is happening with the figure you are drawing. This is especially true for figure drawing (drawing people). The difference between drawing from your imagination and drawing from something sitting right in front of you can be astounding. Our brains often think they know what something looks like and to be fair they generally do. What our brains don’t recall are specific and important details. Details that you often don’t notice you are noticing. When I went to art school we had at least one figure drawing class a semester. I cannot tell you how much my abilities improved even in the first couple weeks of these classes. Most of us don’t have access to naked models to draw from (and no, they don’t HAVE to be naked) so, you can improvise. Using your family or friends, people watching on transit or at a park can be a great way to get in some practice drawing from life. For objects or nature that is obviously a little easier.  In fact, I challenge you to draw something that is sitting in front of you right now. Take 5 minutes and doodle what you see. The more you do it the more adept you will become. It takes practice, but you can start right now! Every little bit you do makes your brain work towards it.

You could put this theory to work: pick an object. Draw it once a day for a week. The more you draw it the better you will get and the more details you will notice. Drawing from life allows you to pick out and examine things you may not have seen from memory or in picture. You also get a more realistic proportion.

As a bonus if you ARE interested in drawing from models check out your local art schools, they often hold drawing nights that are available to the public for a fee.

 

  1. Make time

Even if you take five minutes; if you have time to read blogs, you have time to draw. You can doodle quickly on public transit, getting a coffee, during lunch break, whenever. Practice makes perfect and you don’t improve if you don’t do.  A sketchbook is the perfect place to do this, you can even keep a small one with a pencil in your bag or purse. I keep a couple right on my desk and I usually have one stashed in either my diaper bag or in my purse depending on what I am lugging around. I never use to be a big sketch book person, even in art school I just didn’t understand them. Now that I’ve taken the leap I am wondering how I waited so long. I obviously owned them and used them before, but I only ever really used them to work out an idea for a finished piece. Now I use them for everything. I practice, do studies, take art classes or tutorials online, create my own work, draw from life, doodle, use watercolours, etc. I live in my sketch books now. It was one of the best things I have ever done to hone in on my skills and grow as an artist.

 

  1. Critique your most recent work

What do you like about it, what do you not? What is working, what could be done better? What elements and principles of design are being used and are they effectively done?

This doesn’t take long, you probably even have a picture of something you’ve created recently on your phone. Take a minute to look at it, evaluate it the best you can and find where you can improve.

I don’t particularly suggest asking a friend with no art background to help you do this (if you were thinking of getting another opinion). People without an understanding of art fundamentals and the elements and principles of design or who have never been to a more formal critique will likely give you answers along the lines of “I like it, it looks good”, “I don’t like it, it’s just not my style”. While valid observations to the person observing their likes and dislikes it is much too generalized and open to be productive for you to grow as an artist.

 

  1. Draw it again challenge

 This one is a lot of fun to do! Find something you created a while ago, I would say at least a year ago, if not longer, and redo it. You can see where you’ve grown, what has changed about your style, where you still need to improve, and you may even end up with something you like much better. I like to do this at least once a year, but it is a great place for you to start right now.

Teddy’s Shadow was created using the prompt “Shadow”
  1. Prompt challenge

 Pick a prompt and go with it. The prompt can be a word, a lyric, poem, sentence, whatever you like. The prompt is a tool that allows you to flex your creative muscle. Finding a way to incorporate something you may not have normally and giving you a project to work on. This is one of my favourite ways to either get out of a slump, do something for fun, or practice illustrating.  A wonderful tool for those of you looking to illustrate things for other people. Need a prompt to get started? Try the word: Shadow (if you use it, I would love to see what you come up with, I will link my social accounts below this post!) If you like Teddy’s Shadow you can watch the creation of it here.

 

7. Brush up on basic design practices (elements and principles of design, a refresher is always helpful and can even provide inspiration)

Go back to your high school art days (or if you’re in high school, perhaps look back at your notes). Either way channel your beginner, learning self and brush up on the basics. Knowing and understanding the fundamentals like the elements and principles of design, colour theory, etc. will aid in your journey. I like to go back every few years and just go over some old notes again or even find a short course or video online explaining these things. I always find I have forgotten something or at the very least coming out of that I look at things in a new light. There is a reason you learn this stuff before you get in to doing bigger projects in school and it never hurts to brush up.

 

Have any tips for upping your art game right now? Let me know how you do it in the comments below.

Be sure to share your work with me:

Instagram: www.instagram.com/letitiapfinder

Facebook: www.facebook.com/letitiapfinderartist

 

Until next time, my creative friends!

 

 

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